韦高成作品 捡拾时光
01
Time
时 光
时光的长河
冲刷了繁杂和矫饰
我们抬眼望去
只有纯粹清晰可见
The long river of time
Washed out the complexity and pretentiousness
We look up
Only pure and clea
黑白的基础色调营造出稳重、冷静与理性的质感。铁艺线条干净简洁，质感单纯，空间回归本质，简洁的几何图形放大延伸成空间的精神符号，融入到环境之中。 The basic tone of black and white creates a steady, calm and rational texture. The iron art lines are clean and concise, the texture is simple, and the space returns to the essence. The concise geometric figures are enlarged and extended into the spiritual symbols of the space and blended into the environment.
02
Deconstruction
解 构
如果灵魂是自由的
空间为什么要拘束
If the soul is free Why should space be restricted流动、贯通、隔而不离的空间效果，避免了孤立静止地进行体量组合。连续和断续的结合，将点、线、面有序配列，成时光隧道的错觉感。
The spatial effect of flow, connection, and isolation avoids the combination of masses in isolation and static. The combination of continuity and discontinuity, the orderly arrangement of points, lines, and surfaces creates the illusion of a time tunnel.
纯粹的材料发挥到极致，搭配未来感与趣味性，增加了空间尺度感与自由度。简约、灵动、温润，时光流淌，我们总会遇见。 The pure materials are used to the extreme, with a sense of future and fun, increasing the sense of spatial scale and freedom. Simple, smart, warm, time flows, we will always meet.
03
Line
线 条
一个个光点连接成线
不能倒退
也不可停滞
延伸的长度即为岁月
Connect the dots into a line
Can't go back
Can't stand still
The length of the extension is the years.
利用简易的工法，从点、线、面三个维度重组空间线条关系，打破传统隔断空间。科技元素的灯槽设计和灯光布置渲染出未来感，多元场景又被天花上的灯槽连接，延伸，转换，赋予简单空间以丰富多维的感受。
Use simple construction methods to reorganize the spatial line relationship from the three dimensions of point, line and surface, breaking the traditional partition of space. The light trough design and lighting arrangement of scientific and technological elements render a sense of the future, and the multiple scenes are connected, extended and transformed by the light troughs on the ceiling, giving a simple space with a rich multi-dimensional feeling.
将装饰品类与数量最小化，不过度消耗室内空间，以简洁的“空”反衬出丰盈的精神内在，在极简灯饰的映照下，让空间流线诉说秩序感、节奏感带来自由宁静。
Minimize the type and quantity of decorations, do not excessively consume the indoor space, and reflect the abundance of the spirit inside with a simple "empty". Under the reflection of minimalist lighting, let the space flow to tell the sense of order and rhythm to bring freedom and tranquility.
人类对未来的想象中总是有很多的蓝 - There is always a lot of blue in human imagination.
最单纯的色彩才能唤起最强烈的心灵感受，「克莱因蓝」强烈的的冲击力及其明净空旷的视觉系统让人沉迷其中。蓝色是自由，是生命，是宇宙最本质的颜色，它游弋于黑白空间之中，如时光中珍贵的记忆碎片。
The simplest color can evoke the strongest psychic feelings. The strong impact of "Klein Blue" and its clear and open visual system make people indulge in it. Blue is freedom, life, and the most essential color of the universe. It cruises in the black and white space, like a precious memory fragment in time.
分割
Segmentation
体块堆砌、切割、错置
线条相互穿插形成奇妙关系
Blocks stacked, cut, misplaced
The lines intersect each other to form a wonderful relationship
04
Analysis
分 析
「Less is more.」
密斯·凡德罗坚持”少即是多“的建筑设计哲学
在处理手法上主张流动空间的新概念
「Less is more.」
Mies van der Rohe insists
on the architectural design philosophy of ‘less is more’
Advocating a new concept of fluid space in processing techniques.
用少量的隔墙区分、概括整个空间，将密斯提出的“少即是多”的设计理念融入营销中心布局中，规划出不同的空间与动线，用片墙去分隔整个空间，隔而不离，少装饰，提升空间功能性。
Use a small number of partition walls to distinguish and summarize the entire space, integrate the design concept of "less is more" proposed by Mies into the layout of the marketing center, plan different spaces and moving lines, and use a wall to separate the entire space, without separation , Less decoration, enhance space functionality.
时间跟空间的尺度最为宽阔，在有限的空间里不追求过多装饰。将各个空间通过虚实变化互相串联，绘出最为纯粹的艺术篇章，不论是设计造型还是材料运用，摒弃娇柔造作是对简单极致艺术的追求。 The scale of time and space is the widest, so do not pursue too much decoration in a limited space. Connecting the various spaces with each other through virtual and real changes, drawing the purest art chapter, whether it is design or material use, abandoning delicate and soft creation is the pursuit of simple and ultimate art.
项目名称 | 当代·光明 拾光里
项目甲方 | 当代置业&光明地产
项目甲方管理人员 | 于海洋、彭奕华、王加威
项目类型 | 售楼中心
项目位置 | 江苏常州
项目面积 | 884㎡
硬装造价 | 2500/m2
项目完工 | 2020年5月 硬装设计 | 韦高成设计·上海
硬装设计师 | 高魏
硬装设计团队 | 冯瑜瑜、孔政
项目摄影 | 肖湘
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